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THOMAS HIRSCHHORN

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http://www.thomashirschhornwebsite.com/

Place de la Gare, Biel/Bienne (Switzerland). Courtesy of the artist and ESS-SPA Expositions suisses de sculpture
Biel/Bienne (Switzerland). Photography Enrique Muñoz García

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What I can learn from you. What you can learn from me (Critical Workshop). Remai Modern, Saskatoon, Canada,
2018. Courtesy of the artist and Remai Modern, Saskatoon

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De-Pixelation, Gladstone Gallery, New York, 2017. Courtesy of the artist and Gladstone Gallery, New York.
Photography David Regen

Pixel-Collage n°10, 2015. Courtesy of the artist and Galerie Chantal Crousel, Paris © Photography Florian Kleinefenn

De-Pixelation, Gladstone Gallery, New York, 2017. Courtesy of the artist and Gladstone Gallery, New York.
Photography David Regen

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SPERR, 2016. Biennale Wiesbaden Aug - Sept 2016. Courtesy the artist. Photography 1&2 Jeva Griskjane

Globalization Reversed, 2015. Atopolis, Mons, 2015. Courtesy the artist and WIELS, Brussels. Photography Romain Lopez

Abschlag, 2014. ‘Manifesta 10’, General Staff Building, Hermitage Museum, St Petersburg, 2014. Courtesy of the artist / Manifesta

Flamme éternelle (lecture), 2014. Palais de Tokyo, Paris, 2014. Courtesy of the artist and Palais de Tokyo

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Diachronic-Pool, 2013. ‘METAMATIC Reloaded’, Museum Tinguely, Basel, 2013.

Courtesy Metamatic Research Initiative, Amsterdam. Photography Anna Kowalska

Touching Reality, 2012. ‘Intense Proximity’ - La Triennale, Palais de Tokyo, Paris, 2012. Courtesy Galerie Chantal Crousel Paris. Photography Romain Lopez

Touching Reality”, 2012. Exhibition view: ‘Looking Forward’, Montreal Biennale, 2014. Courtesy Galerie Chantal Crousel, Paris. Photography Guy L’Heureux / La Biennale de Montréal

Concordia, Concordia, 2012. Gladstone Gallery, New York, 2012. Courtesy Gladstone Gallery New York.

Photography Anna Kowalska

Too Too-Much Much, 2010. MDD (Museum Dhondt-Dhaenens), Deurle, Belgium. Courtesy Galerie Chantal Crousel, Paris. Photography Romain Lopez

The Bijlmer Spinoza-Festival, 2009 (Child’s Play). ‘Open Source’, commissioned by Streets of Sculptures,
Amsterdam, 2009. Courtesy of the artist. Photography Vittoria Martini

The Bijlmer Spinoza-Festival, 2009 (Running Events: Jam Session). ‘Open Source’, commissioned by
Streets of Sculptures, Amsterdam, 2009. Courtesy of the artist. Photography Anna Kowalska

The Bijlmer Spinoza-Festival, 2009 (Lectures/Seminars: Toni Negri). ‘Open Source’, commissioned by Streets of
Sculptures, Amsterdam, 2009. Courtesy of the artist. Photography Vittoria Martini

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Nietzsche Car, 2008. ‘Programa Allgarve de Arte Conrtemporãnea’, Antiga Lota no Passeio Ribeirinho, Portimão, Portugal, 2008. Courtesy Fondation Jan Michalski pour l’écriture et la littérature, Montricher (CH). Photography Romain Lopez

Das Auge, 2008. Secession, Wien, 2008. Courtesy Arndt, Berlin

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Stand-alone, 2007. Arndt & Partner Gallery, Berlin, 2007.
Courtesy Augustin Coppel, Collección IAC, México. Photography Bernd Borchardt

Stand-alone, 2007. Museo Tamayo Arte Contemporaneo, México City, 2008.
Courtesy Augustin Coppel, Collección IAC, México

Stand-alone, 2007. Arndt & Partner Gallery, Berlin, 2007.
Courtesy Augustin Coppel, Collección IAC, México. Photography Bernd Borchardt

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Restore Now, 2006. ‘The Artist’s Library’, Centre International d’Art et du Paysage, Ile de Vassivière, France, 2008.
Courtesy Collection Centro de Arte Contemporânea Inhotim (Collection Bernardo Paz), Brumadinho,
Minas Gerais, Brésil. Photography Marc Domage

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Anschool, Bonnefanten Museum, Maastricht, 2005. Photography Romain Lopez / Anschool II, Museu de Serralves, Porto, 2005. Photography Romain Lopez

24H Foucault (Foucault-Bar & Auditorium), Palais de Tokyo, Paris, 2004. Photography Romain Lopez

Bataille Monument, 2002 (Imbiss), ‘Documenta 11’, Kassel, 2002. Courtesy Gladstone Gallery, New York.
Photography Werner Maschmann

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Raymond Carver Altar, 1999 (First set-up). ‘Vivre sa vie’, Glasgow, 2000. Courtesy Galerie Chantal Crousel, Paris

Raymond Carver Altar, 1999. ‘The galleries at Moore’, Philadelphia, 2000. Courtesy Galerie Chantal Crousel, Paris

Raymond Carver Altar, 1999. ‘Fri-Art’, Fribourg, 1999. Courtesy Galerie Chantal Crousel, Paris

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4 Philosophers Schema, 2014. Courtesy of the artist

Schema, 2012. Courtesy of the artist

Form — and Forcefield Schema, 2014. Courtesy of the artist

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Thomas Hirschhorn with Marcus Steinweg, Hannah Arendt-Map, 2003. Courtesy The Cranford Collection, London

Plan-Moi, 2003. Private Collection, Athens, Greece. Photography Marc Domage

Schema “Art and Public Space”, 2016. Courtesy of the artist

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Schema “Why I think what I think?”, 2014. Courtesy of the artist

Spectrum of Evaluation, 2008–10. Private Collection

Timeline: Work in Public Space, 2012. Courtesy Gladstone Gallery, New York and Brussels. Photography Romain Lopez

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Robert Walser-Sculpture, 2019.

Pg 19/27